Bands & Activities
Thirty-odd years in the thick of extreme music — from Malta’s early-90s underground to London stages. Here are the bands Malcolm Callus has built, the zines he printed and the scenes he helped run.
Want to know a bit about the guy behind Cool Gool Music? Beyond teaching, Malcolm has spent three decades playing in bands, printing zines, spinning records and running events — the real-world hours that put the experience behind the lessons.
Below are the bands he has contributed to over the years, followed by the other corners of the scene he’s worked in — event organisation, journalism and DJing. It’s a proper tour through the Maltese and London underground.
The bands
Sceptocrypt · 1992–99, 2014–15, 2022–present
Co-founded in 1992 with the vision of a varied death metal unrestricted by the style’s own boundaries. The debut CD finally surfaced in 2014 — fifteen years after it was recorded — timed to the band’s resurgence that August in London under a different, experimental sound tagged “extreme music research”. Sceptocrypt regrouped again in 2022, releasing three singles along the way (late 2023, early 2024 and early 2026), with a full-length now in the works.
EthnaMorte · 2007–2017
Formed in 2007 after Malcolm moved to multicultural London. Its sound owes itself to the balance of life and death, light and darkness — borrowing from a myriad of world-music sonorities, from sweet bossa nova to hybrid avant-garde to fury-filled flamenco to dark overtones: the very death of musical boundaries. EthnaMorte released two CDs and was recording a third (one song made it online) before going on hiatus.
Unus Quod Insane · 2011
A project Malcolm dabbled with through 2011, centred on sounds that influence but sit outside the EthnaMorte platform. It pulled instruments EthnaMorte used more in the studio than live to the fore, merging them with drony vocal whispers and tribal beats over a distinctly industrial backbone.
Wound · since 2002
Started in 2002 and later put on hold. Sirene, slow-tempo classical and jazz harmonies laced with electronic and rock pulses — a sound they coined “trip-hop doom rock”. The line-up is Pope Crool (keyboardist from Lithomancy), Sean Pollacco (Malcolm’s replacement on bass in Weeping Silence), Dino Mifsud on vocals and drums (ex-Weeping Silence vocalist; Lithomancy and Victims of Creation drummer; Deluge of Sorrow percussionist) and Malcolm on guitars. One day, hopefully, that unfinished recording gets finished.
Dysmenorrhea · 1999–2001
Born when Conrad, Sceptocrypt’s ex-vocalist, offered to keep playing some metal together. Put together as a project band always meant to disband, it delivered in-your-face thrash / death / grind — while the lyrics took a deliberately funny, at times knowingly daft, approach. In their short run they recorded a nine-song promo.
Achiral · 1999
Soon after Sceptocrypt’s demise in 1999, Malcolm lent his friends in Achiral a hand for a short while, playing thrash / death / black metal and performing one live show together. Achiral went on to release their debut mini-CD Wander Ignite and became one of Malta’s leading live metal acts.
Weeping Silence · 2001
Intrigued by playing bass at a time when his friends couldn’t find a replacement for the bassist who’d left after their debut mini-CD Deprived from Romance, Malcolm joined Weeping Silence as a session player. One of the most emotional bands in Malta — though they never got to play live together, as he moved to Germany. The band has since found not only a bass player but label and touring support too.
Events, zines
& the airwaves.
Bisoul Promotions · 1999–2009
An alternative events outfit merging art with darkness — classical nights, holographic shows, middle-age fashion, and underground music. Malcolm span the decks here as DJ NecroGool.
Rancid Soup Productions
Malta’s first printed underground zine, later a radio show and event organisation — the pinnacle being Anathema live in Malta in 1995. Read the story →
Brutalism
Ongoing review contributions to Brutalism, one of the vastest metal resources online. See the reviews →
Rock City & Solemn
Reviews written in German for Rock City magazine; the English translations ran on Malta’s now-defunct Solemn web-zine, by the label Solemn Music.
Black Death Fanzine
Festival reviews, scene reports and the odd album review for this purely underground A5 zine out of Sydney, Australia. More →
Pics with musos
Snaps with the rock and jazz icons, tutors and guitar makers Malcolm has met along the way. Take a look →
Bands &
projects.









Learn from someone who’s lived it.
All those stages, studios and scene years feed straight into the lessons. Bring your instrument and let’s play.